Rehearsal photo from the production An Fear Liath written by Philip Doherty and adapted by Fran Nuñez. Produced by Fíbín Teo in association with Centro Dramático Galego and Tryater. Photograph by Bruno Pierrucci

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CoastARTS: Coastlines as Zones of Ecocultural Crisis – Shaping Resilience through Transnational Performance-based Arts

CoastARTS treats the coastal areas of Europe and its former colonies as rich zones for analysing the convergence of ecological and cultural perspectives on crisis and its material manifestations. The project uses performing arts practice and research to develop methods and models that can be deployed across multiple disciplines to deepen understanding of the intricate links between historical crises and looming threats to the Earth. It thus lays ground for building resilience in communities and fostering adaptive responses to planetary change.

The archival and practice-led research of CoastARTS explores transhistorical, cross-cultural and transregional links to better understand what is life-giving in human and multispecies communities. A key aim is to retrieve neglected ecological knowledge from Indigenous and other marginalised peoples. Working with museums, festivals, arts centres, theatre-makers and coastal communities, we will develop exciting new approaches to understand how coasts act, and interact, as crisis zones in iconic and material terms. We ask how these spaces – as sites of disembarkation, inundation, invasion, erosion, division and contestation – can inform the imaginary construction of crises past, present and future. We view coastlines as sites threatened not only by the climate and biodiversity crisis but also by political contestation and discrimination as national borders are asserted to control migration flows into Europe.

CoastARTS is a comparative, multi-sited study proceeding in three broad phases (research and creative design, community-based practice, reflection and analysis), each lasting a year. It will produce new research, notably a book on how performing arts methods can be deployed in other disciplines. With cultural partners, we will also co-create performances, exhibitions and sustainable digital resources that will be accessible to all. The work will unfold collaboratively in Ireland, Spain, Portugal, Norway and the UK, serving as both an analytical window into coastal crises and a mode of collaborative action.

 

KEYWORDS:

ecological arts, community-based action research, indigenous environmental knowledges, knowledge exchange in the blue humanities.

CONSORTIUM

  • Project Leader: Helen Gilbert, Royal Holloway University of London, United Kingdom
  • Patrick Lonergan, University of Galway, Ireland
  • Neide Areia, Centre for Social Studies of University of Coimbra, Portugal
  • Emilia María Durán Almarza, University of Oviedo, Spain
  • Heli Aaltonen, Norwegian University of Science and Technology, Norway

ASSOCIATE PARTNERS

  • Anne Meek, Deputy Chairperson, Kultur og teaterverkstedet Fyret, Norway
  • Christine Plastow, Co-artistic Director, Theatre of the Gentle Furies, United Kingdom
  • Dara McGee, Stiúrthóir Ealaíne (Art Director), Áras Éanna, Inis Oírr, Ireland
  • Eithne Verling, Museum Director, Galway City Museum, Ireland
  • Helen Mears, Head of Curatorship and Research, National Maritime Museum (Royal Museums Greenwich), United Kingdom
  • John Crumlish, CEO of Galway International Arts Festival, Galway International Arts Festival, Ireland
  • José Luis R. Gallego, Co-Chair, Cátedra de Cambio Climático, University of Oviedo, Spain
  • Luís Ferreira, President of the Association, Associação Viver Em Alegria, Portugal
  • Michael Walling, Artistic Director, Border Crossings, United Kingdom
  • Pablo de Soto Suárez, Managing Director, LABoral Centro de Arte y Creación Industrial, Spain
  • Ramón H. Rivera-Servera, Coordinator, Puerto Rican Arts Initiative, United States
  • Silvia Albert Sopale, President, Periferia Cimarronas, Spain
  • William Dwyer III, Head of Middle Years Program, MYP Coordinator, Trondheim International School, Norway

ACHIEVEMENTS

Aaltonen, H. (2023) ‘Re-storying SDG 14: Life Below Water’, Nordic Journal of Art and Research, 12.2: https://doi.org/10.7577/ar.5172.

Aaltonen, H. (2021) ‘Celebrating Neighbourhood Birds: Performing Equality in Avian–Human Performance’, in Theatre and Democracy: Building Democracy in Post-War and Post-Democratic Contexts, ed. P. Janse van Vuuren, B. Rasmussen & A. Khala, Oslo: Cappelan Damm Akademisk, 217–37: https://doi.org/10.23865/noasp.135

Aaltonen, H. (2020) ‘Manifestet: Advancing Freedom to Be Alive-in-Connectedness’, Drama: Nordisk Dramapedagogisktidskrift, 2: 6–7.

Areia, N. P., Tavares, A. O., & Costa, P. J. (2023). Public Perception and Preferences for Coastal Risk Management: Evidence from a Convergent Parallel Mixed-Methods Study’, Science of The Total Environment, 882, 163440: https://doi.org/10.1016/j.scitotenv.2023.163440.

Areia, N. P., Costa, P. J. & Tavares, A. O. (2022) ‘Social Engagement in Coastal Adaptation Processes: Development and Validation of the CoastADAPT Scale’, Environmental Science & Policy, 133, 107–14: https://doi.org/10.1016/j.envsci.2022.03.011.

Lonergan, P. (2024) ‘Ecodramaturgy and the Covid-19 Pandemic: The Abbey Theatre’s Adaptation of Patrick Kavanagh’s The Great Hunger (2020)’, in The Routledge Companion to Twenty-First-Century Irish Writing, ed. A. Fogarty and E. O’Brien, London: Routledge, 249–60.

Lonergan, P. (2023) Theatre Revivals for the Anthropocene, Cambridge: Cambridge University Press.

Lonergan, P. (2022) ‘“A Missile to the Future”: The Theatre Ecologies of Caryl Churchill’s Far Away on Spike Island’, Journal Of Contemporary Drama In English, 10.1: 133–47

Matias, A., Pinto, B., Areia, N. P. & Carrasco, A. R. (2024) ‘Insights into the Public Engagement of Coastal Geoscientists’, Environmental Science & Policy, 162, 103943: https://doi.org/10.1016/j.envsci.2024.103943.

 Start date

3 February 2025

Project duration

36 months

 Project budget

€ 1 367 507

Funding organisations